Used as both an informational mailer and a breakroom-ish poster, the primary challenge of this piece was fitting a large amount of body copy in a small space while keeping it readable, dynamic, and visually interesting.
To emphasize the tactile nature of Ashley's work, textured paper was used as a simple background for the website. This website was coded from scratch and used a found gallery template that was customized for a cleaner look.
The goal of this bake sale poster was to create something playful, yet thought provoking. This assignment also included the creation of a logo for a Portland neighborhood.
Parasol is a restaurant idea with a vintage aesthetic serving picnic basket fare. The branding communicates exceptional quality in a quaint, lighthearted way.
Although clean in its design, this menu conveys the whimsical charm of the restaurant, enhanced by hand-stitched binding and buttons sewn on the cover.
The strange dimensions of this poster presented a challenge addressed by creating a vertical burst of imagination coming out from the pages of the book.
This poster was designed for Simpson University's Annual Christmas Concert and was hung on campus and throughout city. The goal was to create a more modern look for the traditional program.
What began as an ode to grammar became a set of four random holiday cards, created with hand-set lead type on a tabletop Adana letterpress. The cards celebrate Grammar Day, Talk Like a Pirate Day, Panic Day, and Tell a Lie Day with witty comments on the front and a "Happy {fill in holiday}" greeting on the inside. The date of each holiday is printed on the back.
In the spirit of Kramer's coffee table book about coffee tables, Align is a newsletter about newsletters. Wanting to distance the publication from the standard cacophony of clip art party banners and Comic Sans body text, clean, grid-like lines were used with plenty of white space.
A redesign of the cover of this documentary brings to life the tensions between Portland's urban and farming communities.
The design of this fictional candy bar from Iceland was influenced by the country's vast, sparse landscapes and designed with Sigur Rós playing on the radio.
Via a circuitous route that took me through a B.A. in Creative Writing, a semester living in Europe, a year teaching in South Korea, a stint at a drapery shop and many hours in the darkroom, I found design—a profession, hobby, passion in which my varied interests and experiences only improve what I create.
Let's talk more. I buy a mean cup of coffee. Contact me at betsy@betsylance.com.
A PDF of my resume can be obtained here.